Volume 1

Microcosm of London / [Anon].

Date:
[1808-1811]
Catalogue details

Licence: Public Domain Mark

Credit: Microcosm of London / [Anon]. Source: Wellcome Collection.

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    beauties which enter into each composition. Such appropriation has a right to the praise of invention, and to such praise was Sir Joshua entitled. He frequently united the elegance of the French style with the chastity of the Roman; he imitated the brilliant hues of Rembrandt, but never introduced what was either mean or disgusting; he had the richness of colouring of Rubens without his excess and tumult; and by thus judiciously selecting and skilfully blending the colours of the various masters, he has formed a style wholly his own, on the merit of which other painters have separately about as high claim, as the mason who hewed the stones for Whitehall had to the honours due to Inigo Jones. Considered in every point of view, he has given a new character to portrait- painting, and his pencil may, without exaggeration, be called creative. He was succeeded in his situation as president of the Royal Academy by Mr. Benjamin West, the present president. The stated professors of painting in its different departments, read lectures to the students in their various branches; and as they possess a most capital collection of casts and models from antique statues, &c. they have what may be fairly deemed a good school for drawing. A school for colouring they still want; and it has been recommended to them to purchase a collection of pictures, to which the students might resort, and compare their own productions with those of the great masters, whose works have stood the test of ages. The Lectures by Sir Joshua Reynolds are published, and are models of elegant composition as well as scien- tific taste. Those by Mr. Barry were published a few years ago, and contain much original and useful information, blended with some of this singular painter’s peculiarities.
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